Lisa Bormann
started her career in Spain when she was seventeen and studied drawing at the School of
Fine Arts in Malaga. She spent her sophomore college year studying history
and literature in Vienna, then graduated from Stanford University with a Phi
Beta Kappa degree in history, where she won the James Birdsall Weter prize
for distinguished honors thesis.
She then spent
four years of full-time study at Atelier Lack, a studio school teaching the
fundamentals of drawing and painting from life. This program descended
directly from the system of teaching brought to Boston by American
Impressionists such as Tarbell, Paxton, and Chase, after their study in
Europe during the late nineteenth century. Drawing was based on three of
hours of life drawing every day, study of human anatomy and memory drawing.
Painting emphasized the study of values, with students exploring their own
predilections for impressionist color, landscape painting, etc. Bormann
followed these studies with trips to Europe to paint portrait commissions
and landscapes.
Before the
birth of her first son, Lisa taught drawing and painting for several years
in two studio schools – Atelier LeSeuer and the Minnesota River School. She
is married, with two boys, and paints every day in a large studio in the
second floor of their home in the Linden Hills neighborhood of Minneapolis.
Her studio work centers on the figure – nudes, interiors, and portraits –
and she works in a range of techniques from direct painting to indirect
methods incorporating underpainting and glazing. Landscapes are done on
site with the impressionist’s goal of truth in color and value. The core of
this work is the direct expression of a sensibility confronting nature – the
sitter in the studio posing multiple times for a portrait, the snow scene on
site, always at the same time and conditions, sometimes over multiple years
if necessary.
Bormann and her family enjoy
annual trips for prolonged stays in northern and southern Minnesota. A
summer month on the north shore of Lake Superior and fall in the great
valley of the Mississippi at Lake Pepin provide the time and familiarity
needed for the serious pursuit of landscape painting. Many examples of her
work are shown here and in Minneapolis Galleries and you can contact her if you
are interested in seeing more.